Why Bill Henson did not 'cross the line'
Published on Arts Hub, June 2008.
The Bill Henson 'Art versus Porn' drama of the past few weeks seems to
have come to an end. His photographs of nude children have been deemed
not an offence under child pornography laws. In the intensity of debate
positions were expressed quickly and simply, often at the expense of
subtlety of argument. I suspect many people are still suspicious that
'art' has been given special treatment. This is reason enough for the
issues to be discussed more carefully in the calm light of day.
Henson's pictures
are clearly works of art, whether you like them or not. Just as
clearly, they are not pornographic. However this doesn't mean 'art' and
'porn' are always mutually exclusive terms. This idea has been widely
spread by journalists trying to simplify the issue. Unfortunately the
'Art or porn?' headline reinforces the myth that art is separate from
everyday reality and that artists think anything goes. People then
assume Henson's defenders are claiming: 'It's not porn because it's
art'. Throughout
history artists have used explicit sexual imagery. This includes those
two giants of modern art, Pablo Picasso and Marcel Duchamp. The
American pop artist Jeff Koons is a notorious recent example. His
series 'Made in Heaven' included huge brightly-lit photos of Koons
having sex with his Italian porn-star wife, Cicciolina. They were
self-consciously kitsch, but also extremely hardcore - a new hybrid we
should perhaps call 'art-porn'. In comparison,
Henson's work is qualitatively different - and not simply because it
calls itself 'art'. His images lack the stereotypical poses, harsh
lighting, and anatomical focus of pornography. Henson's latest
photographs in this censorship row are said to include child models as
young as 12 or 13. Available reproductions show they may be challenging
to people unfamiliar with his work, but they are not obscene in any
reasonable sense of the word. There is a
possibility that Henson's photographs of nudes are actually erotic
images. Such a claim is much vaguer than the obscene/porn one. An
erotic interpretation often resides as much in the viewer's mind, as in
the work itself. As for Henson's nudes in general, sexuality is
sometimes an element of the visual drama they represent. Yet it can be
argued they are aesthetically posed in a way appropriate in an artistic
context. Just as importantly, they do not directly encourage a sexual
response on the part of the viewer. The lack of
pornographic or obvious erotic content means the issue of 'consent' is
not as problematic as some people think. If children are not being
sexually exploited then surely, with their parents' guidance, they can
make an informed decision to participate or not. It should be a matter
of conscience for those involved. Society allows
families to make many important decisions regarding children. Parents
are often passionate about education, religion, and other lifestyle
choices. The visual expression of one's physical being is also an issue
where personal preferences differ widely. In a modern Western society
there is bound to be disagreement on these matters. We may dislike each
others choices, but it makes sense to accept them as valid, and live
and let live. Fears for the
safety of children are appropriately expressed through responsible
parenting, and a cautious, not paranoid, attitude towards nudity.
Academic research has shown all sorts of photographs are collected by
child offenders - from the most acceptable and innocent to the most
illicit and abusive. It would be an over-reaction to seek blanket
censorship of all images of children. According to psychologists Max
Taylor and Ethel Quayle in their book Child Pornography: An Internet
Crime (Brunner-Routledge, 2003, p. 46), "it is not possible to
legislate for (the) essentially fantasy use of photographs, and nor
should it even be considered." The indiscriminate censoring of all
childhood nudity in art would be an attempt to do just this.
Both sexuality
and death are difficult themes for art to explore. There is always the
risk that some viewers will be offended, even in our jaded post-modern
culture. But this does not mean artists are irresponsible. If anything
they are more aware than anyone of the significance and morality of the
pictures they make. Images of children that are part of causing
physical or emotional abuse are clearly intolerable. Looked at
sensibly, Henson's nudes are definitely not 'child abuse' images,
either in terms of production, content, or legitimate publication. Are Bill
Henson's child nudes pornographic or erotic? No, they're not. His
images of children can express a mood of decadence that may be
unappealing to some people. But this quality is independent of whether
the figures are clothed or not. His photographs of the human figure are
mysterious and moving, and portray an ambiguous range of feelings. But
this palette of human emotions has nothing to do with sexual
titillation. Whether it is 'art' or not is incidental to this argument.
For its aesthetic and emotional power it just happens to be great art -
among the best this country has ever seen.
Jason Beale 2008
ART WRITING INDEX
/
HOME PAGE
|